Live gig review: Earthside, Toska, Brutai, Voices from the Fuselage – Camden Barfly 10/04/16

Credit: Ray Hearne / Haken
Credit: Ray Hearne / Haken

The following gig review comes with an apology for the quality of the photos – I’m no photographer and so, coupled with a poorly-equipped camera and a level of entertainment that meant I didn’t want to ruin my enjoyment by staring through a lens all night, they are not the best. In fact, if there was an award for ‘worst ever gig photography’, I’d surely be in the running! But hopefully, the words make up for it.

And with that, on to the review…

The chance to attend the debut UK show, an exclusive show no less on these fair shores from US metal band Earthside was just too good an opportunity to miss. I had to be there. And so it was that I set out from Suffolk and headed to ‘the big smoke’, to the Camden Barfly, on a Sunday afternoon to witness what I hoped would be a great evening’s entertainment.

This wish became ever more fervent as I found myself snarled up in heavy traffic as my Sat Nav sadistically took me within a few hundred yards of White Hart Lane, the home Tottenham Hotspur, on a day when they were due to play Manchester United in the Premier League. As a Spurs fan, I couldn’t moan too much but when added to the difficulty I had in parking my car, I arrived in Camden seriously regretting my decision not to get the Underground train from the outskirts of the city. Never mind, Spurs won and I finally located a free parking spot within walking distance of the venue.

Things only got better from there too. After meeting Lulu of Incendia Music for the first time and a quick drink in the bar, I headed upstairs to hear a little of the soundcheck but not before being greeted by with a warm hug from a beaming Frank Sacramone, keyboardist with Earthside.

My next task was to interview the lads from Brutai, so it was up to the dressing rooms next for me. I say ‘dressing rooms’ but to be honest, I have been in a lot more salubrious surroundings in my time. Bare floor boards, tatty walls, minimal furniture that had clearly seen better days and grimy windows made up the setting for my first journalistic task for the day.

Somewhat unbelievably given the number of gigs I’ve attended over the years in the capital, this was my first visit to this particular venue but I rather liked the experience. I missed the first song of openers Voices From the Fuselage but upon entering the small and intimate Barfly venue, I was immediately struck by the sounds coming from the stage.

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Voices From The Fuselage

In Ashe O’Hara, Voices From The Fuselage are blessed with a very talented singer, able to hit those high notes and add a demonstrable amount of emotion into his performance. Behind him, the music was powerful, muscular and well performed, not to mention subtle and melodic too when the need arose. The whole thing reminded me a little of the likes of TesseracT. Untried by me before this evening, these guys now need some further exploration as soon as possible.

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Brutai

Next up, a return to the dressing rooms to interview Earthside and before I knew it, the floor started to shake to signal to us all that Brutai were just starting their set. I’d heard a little of Brutai prior to the gig and I was very interested to see how the band would come across on stage. The answer was ‘very well indeed’.

I would have preferred a better defined mix in order to allow more clarity for the guitar solos and the keyboards but aside from this, Brutai put on a great show that only served to heighten my excitement for the forthcoming debut full-length. I have likened their output to a blend of Soilwork, Voyager, metalcore and pop and I think, on balance, as a brief reference point, I’d stick with this description. On stage though, coupled with a high energy, professional delivery, they certainly offer a lot more in the live arena and justifiably won over the decent-sized crowd, many of whom had not heard of them before this evening.

Brutai
Bruta

Normally, I get very bored during the set changeovers but on this particular evening, it was a lot of fun. Chatting with friends in the audience and then enjoying a long conversation with Mr Ray Hearne, drummer with Haken, it seemed like no time at all had passed before Earthside took to the stage.

Oh. My. Word. It is not often these days that I go to a live show and am absolutely blown away but tonight was one of these rare occasions. Knowing how technical, multi-layered and ambitious the music on Earthside’s debut album, ‘A Dream In Static’ is, I was intrigued to find out how the quartet would be able to pull it off. But pull it off they did and then some.

Tight as a drum, the music was performed almost flawlessly from start to finish, with the kind of intensity that I’ve rarely witnessed. But more than that, alongside the steely determination, there was a genuine sense of enjoyment from the band. Guitarist Jamie van Dyck constantly had a smile on his face and you simply had to see keyboardist Frank Sacramone in action to believe it. Air drumming, expansive arm gestures, singing along, alternating between keytar, standard synths and a guitar; he was a bundle of energy and a real joy to watch. At one point, he even stopped the music to admit that the experience had brought him to tears, something that you could clearly see was true even half-way back in the crowd.

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Earthside

In terms of the voices, Earthside employed the interesting and unusual tactic of projecting the vocals of the guest singers on a giant screen at the back of the stage. As such, you got to hear Bjorn ‘Speed’ Strid (Soilwork) in all his glory on the emotionally-charged ‘Crater’, my personal favourite track. Then there was an ‘appearance’ by vocalist Daniel Tompkins (TesseracT) on ‘A Dream In Static’ as well as Lajon Witherspoon on the epic and visually stunning ‘Mob Mentality’. It isn’t an approach to suit everyone. Yes the interludes between songs was a little protracted and minimised spontaneity and yes, in years to come it would be amazing to have these guests on stage with Earthside. But for now, for this particular performance, it did the job very well indeed.

And what’s more, the crowd lapped it up. A quick glance at those around me witnessed many that were full-on headbanging, several mouths were wide open and the remainder either were appreciatively nodding along or wrapt and ensconced in what they were witnessing. At the end of each song, the response was effusive and by the close of the set, the crowd roared their approval to almost disbelieving looks from the band. It was a crackling atmosphere and Earthside were worth every ounce of it.

toska
Toska

Brighton’s Toska followed albeit with a significantly truncated set and a slightly thinner crowd, mainly due to the inadequacies of public transport at weekends in this country. Nevertheless, those that remained were treated to some instrumental technical metal of a very high quality. Led by the imposing Rabea Massaad on guitar, the trio introduced a faint air of psychedelia and a little sludge to their repertoire meaning that Toska rounded off the impressive bill very handsomely indeed.

If I’m honest though, for all the strengths of the other bands, this night belonged to Earthside. They were incredible and the electricity between the audience and the band was something special to be a part of. After the show, Frank admitted to me that in terms of atmosphere and the feeling he got, it was a 10/10 show for him. He did qualify the statement to say that technically he could improve but overall, from such a perfectionist, this was quite the statement. I just hope that other parts of the UK and indeed the world get to witness this band. They are this good after only their 25th show? Wow. They are, quite simply, a force to be reckoned with.

One thought

  1. I can’t get this gig out of my head. Made me feel like a teenager finding new music all over again. I have one other happy memory at the Barfly watching One Minute Silence, and this matched, if not bettered, it!
    Voices were very entertaining and exactly the kind of thing i’m in to at the moment, Toska were technically outstanding. The complexity of their riffs with the precision execution impressed me a lot. Brutai were very good value but for some reason didn’t push my buttons like the others did.
    Earthside though… Wow! I was fully prepared to stand mid way back and nod along until I saw/heard the keytar swell from The Closest I’ve Come. I think I swore out loud and immediately went forward to dance and headbang like a monkey (my usual dancing style admittedly – much to the embarrasment of my family!) for the entire set. That was perhaps the most impressive display of musicianship since I saw Michael Manring (trust me!) at the Joogleberry Playhouse in Brighton about 10 years ago. It’s the kind of thing that makes an entire room stop and stare in open mouthed astonishment.
    The album has a different context for me now, and I love it all the more. Rarely has a gig affected me like this one did! Outstanding!
    Mac

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