Black Crown Initiate – Violent Portraits Of Doomed Escape – Album Review

Press_Cover_01

Artist: Black Crown Initiate

Album Title: Violent Portraits of Doomed Escape

Label: Century Media Records

Date of Release: 7 August 2020

Another new ‘discovery’ for me today, in the shape of Black Crown Initiate, a progressive death metal outfit from the United States. I put the word discovery in quotation marks because this isn’t so much a new discovery, more of a new exploration. I have been aware of the name Black Crown Initiate for a few years now, primarily because it was hard to avoid all of the hyperbole and critical acclaim that seemed to fly in their direction following their first two album releases, ‘Wreckage Of Stars’ in 2014 and ‘Selves We Cannot Forgive’ released two years later.

But, despite my general love of progressive music and of death metal, something held me back from diving into the world of the Pennsylvanian quartet. And that ‘something’ was the way in which many lauded the band and suggested that they may be the modern day Opeth. For most, that would have been enough to sell a kidney, their spleen and maybe even their first-born child for a chance to hear the music. For me though, not so much. I am one of a very small group that simply cannot feel the love for Opeth. And so, rightly or wrongly, I never felt compelled to check out Black Crown Initiate too closely.

But enough is enough and so, when I was sent the promo from the good folk at Century Media, I decided to throw caution to the wind and see what all the fuss was about.

The first thing to say is that I do certainly hear why some will have made the connection with Opeth, at least before the Swedes decided to go full-on prog rock. Mind you, when the band in question helped to shape an entire subgenre, it is perhaps difficult for those who follow not to be inspired by such an important entity.

That being said, I also hear, in Black Crown Initiate, a band that is surprisingly unique in their approach, trying new things and largely pulling it off with some success. They have taken the sounds of the past and brought them kicking and screaming into the modern world, taking accents of newer artists along the way, but forging something very much in their own image. Yes, fans of older Opeth will almost certainly enjoy this record but so will plenty of others, including myself in that bracket as it happens.

To begin with, I was cautious, almost reticent. And, on a first spin, I found myself thinking deeply about whether I was enjoying what I was hearing or not. Undeniably technical, complex, brutal and serene, I wondered whether there was ultimately something lacking. If it was, it certainly wasn’t in the performances of the musicians themselves as vocalist James Dorton, guitarist/clean vocalist Andy Thomas, guitarist Ethan McKenna, and bassist Nick ‘Bass’ Shaw all put in excellent performances here. As does drummer Gabe Seeber, who stepped in to replace the Samuel Santiago, albeit not as a full member yet, as far as I can gather.

Inventive bass lines, thunderous drumming that incorporates both impressive blasts and more delicate beats, sharp riffing from the guitarists as well as more flamboyant leads and embellishments, acoustic sections, minimalist interludes, a blend of aggressive growls with more mellifluous clean singing…everything seems in place right from the off to make ‘Violent Portraits of Doomed Escape’ a top drawer release.

Press_Photos_02

And, then, after a second and a third spin, in came the game-changer: the melodies. I’ve listened to Opeth many times and generally failed to be moved by the chosen melodies. The same can be said for the most recent Wilderun record that left me cold due to a lack of material that made me desperate to return. With Black Crown Initiate, that simply isn’t the case at all. They might not be instant earworms, but with a little bit of attention and effort, they emerge and when they do, it’s pretty incredible, magical almost. And it is at this point where you start to really appreciate the song writing prowess on display here too.

As hinted at earlier, there is a fantastic amount of light and shade utilised in just about every track on this record. It means that whilst this is an extreme metal album, it is far from a one-trick pony, devoid of variety and intent on simply bludgeoning the listener. For every blast beat or gargantuan riff, of which there are many, there is an acoustic interlude, a change of pace, or a section allowing atmosphere to permeate and for some contemplation to take place.

It’s tough to know where to begin, especially as I have waffled on for ages already. But I shall be desperately dull and begin with ‘Invitation’, the opening track. It starts with a mellow acoustic intro, topped off by rich clean vocals from Andy Thomas. And then, from nowhere, it explodes into a riot of calculated aggression, vocalist James Dorton virtually spitting out his diatribes as if possessed by anger. The riff that ensues is mid-paced but rather elegant. The chorus is accented by more of Andy’s clean vocals, which add to its surprisingly catchy nature, the kind of catchy that is more insidious than overt in its attack. But it is the ebb and flow of the song that is its strongest weapon, veering from crushing to calm in the blink of an eye. It is beautifully crafted and sets a high bar for the remainder of the record.

Fortunately, Black Crown Initiate are unperturbed by such things and instead deliver a further eight tracks of aural goodness for us to enjoy. Not all of them are what you might expect either, as ‘Bellow’ is two minutes of what I can only describe as throat singing, carrying with it a dense and eerie atmosphere all of its own. Then the album’s closer, ‘He Is The Path’ is another more tranquil piece, albeit this time featuring deep, almost spoken-word vocals atop piano and violin strings.

Without doubt though, my favourite track has to be ‘Years In Frigid Light’. Not only does it erupt from the speakers with a scintillating malevolence, it also delivers the most immediate and captivating melodies within the chorus, made all the more arresting given the brutality that surrounds it, a brutality bathed in sinister and cloying atmosphere. This has ‘contender for song of the year’ written all over it.

Elsewhere, the breeziness of ‘Trauma Bonds’, especially within the intro and later within the choruses, means that it is essential listening. So too is ‘Sun Of War’ which I initially thought was a cover of a Snow Patrol song thanks to the opening couple of notes. How wrong I was, and delightedly so if I may be so bold. The bass makes a huge impression within this composition, as does the gentle finesse displayed across the band, until the ubiquitous face-shredding ensues, with a nod to early Fear Factory if my senses haven’t fully departed.

Put simply, the wonderfully-named ‘Violent Portraits Of Doomed Escape’ is a stunning body of work. It is the sound of a band that has hit upon something special thanks to their collective abilities, inspiration and flair for experimentation. If this monstrous album doesn’t make it into most extreme metal fans’ year end ‘best of’ lists, I will be shocked. Black Crown Initiate have gone from being just another band, to one of the best experiences I’ve had with music in 2020. Stunning.

The Score of Much Metal: 92%

Check out my reviews from 2020 right here:

Gaerea – Limbo
Buried Realm – Embodiment Of The Divine
Navian – Reset
Selenseas – The Outer Limits
Quantum – The Next Breath Of Air
Ensiferum – Thalassic
Long Distance Calling – How Do We Want To Live?
Airbag – A Day At The Beach
Re-Armed – Ignis Aeternum
Atavist – III: Absolution
Frost* – Others EP
Darker Half – If You Only Knew
Atavistia – The Winter Way
Astralborne – Eternity’s End
Centinex – Death In Pieces
Haken – Virus
Pile Of Priests – Pile Of Priests
Sorcerer – Lamenting Of The Innocent
Lesoir – Mosaic
Temnein – Tales: Of Humanity And Greed
Caligula’s Horse – Rise Radiant
…And Oceans – Cosmic World Mother
Vader – Solitude In Madness
Shrapnel – Palace For The Insane
Sinisthra – The Broad And Beaten Way
Paradise Lost – Obsidian
Naglfar – Cerecloth
Forgotten Tomb – Nihilistic Estrangement
Winterfylleth – The Reckoning Dawn
Firewind – Firewind
An Autumn For Crippled Children – All Fell Silent, Everything Went Quiet
Havok – V
Helfró – Helfró
Victoria K – Essentia
Cryptex – Once Upon A Time
Thy Despair – The Song Of Desolation
Cirith Ungol – Forever Black
Igorrr – Spirituality and Distortion
Nightwish – Human. II: Nature.
Katatonia – City Burials
Wolfheart – Wolves Of Karelia
Asenblut – Die Wilde Jagd
Nicumo – Inertia
The Black Dahlia Murder – Verminous
Omega Infinity – Solar Spectre
Symbolik – Emergence
Pure Reason Revolution – Eupnea
Irist – Order Of The Mind
Testament – Titans Of Creation
Ilium – Carcinogeist
Dawn Of Ouroboros – The Art Of Morphology
Torchia – The Coven
Novena – Eleventh Hour
Ashes Of Life – Seasons Within
Dynazty – The Dark Delight
Sutrah – Aletheia EP
Welicoruss – Siberian Heathen Horde
Myth Of I – Myth Of I
My Dying Bride – The Ghost Of Orion
Infirmum – Walls Of Sorrow
Inno – The Rain Under
Kvaen – The Funeral Pyre
Mindtech – Omnipresence
Dark Fortress – Spectres From The Old World
The Oneira – Injection
Night Crowned – Impius Viam
Dead Serenity – Beginnings EP
The Night Flight Orchestra – Aeromantic
Deadrisen – Deadrisen
Blaze Of Perdition – The Harrowing Of Hearts
Godsticks – Inescapable
Isle Of The Cross – Excelsis
Demons & Wizards – III
Vredehammer – Viperous
H.E.A.T – H.E.A.T II
Psychotic Waltz – The God-Shaped Void
Into The Open – Destination Eternity
Lunarsea – Earthling/Terrestre
Pure Wrath – The Forlorn Soldier EP
Sylosis – Cycle of Suffering
Sepultura – Quadra
Dyscordia – Delete / Rewrite
Godthrymm – Reflections
On Thorns I Lay – Threnos
God Dethroned – Illuminati
Fragment Soul – A Soul Inhabiting Two Bodies
Mariana Semkina – Sleepwalking
Mini Album Reviews: Moloken, The Driftwood Sign & Midnight
Serenity – The Last Knight
Ihsahn – Telemark EP
Temperance – Viridian
Blasphemer – The Sixth Hour
Deathwhite – Grave Image
Marko Hietala – Pyre Of The Black Heart
SWMM – Trail Of The Fallen
Into Pandemonium – Darkest Rise EP
Bonded – Rest In Violence
Serious Black – Suite 226
Darktribe – Voici L’Homme
Brothers Of Metal – Emblas Saga
A Life Divided – Echoes
Thoughts Factory – Elements

You can also check out my other reviews from previous years right here:

2019 reviews
2018 reviews
2017 reviews
2016 reviews
2015 reviews

2 Thoughts

  1. I agree with your final sentence. They definitely went from mediocre to stellar on this album. I first saw them live, but can’t remember who they were opening for. I thought that The Wreckage of Stars had some killer songs, but overall was middling. So I had some hope that Selves We Cannot Forgive would build on that and be at least a good album and came away completely underwhelmed. I have listened to only one song from it in the past couple years. I didn’t even want to give Violent Portraits of Doomed Escape a spin, but it got positive reviews from quite a few professional reviewers and regular Joe Schmoe’s like myself, so I gave it a shot and I think it will finish in my top 10 albums of the year.

    On a side note, I don’t remember when you took quite a long break from reviewing, but now that I see you’ve been back for awhile, I’m happy for you. I always enjoyed reading your reviews and found you to have a similar taste to mine, which has helped me find music I otherwise might have missed. Thanks for all the reviews and I hope you’re doing well!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s